“Zwischen Orient und Okzident: Die differentia specifica des Orientalismus in der südosteuropäischer Oper”, in: Orient & Okzident. Begegnungen und Wahrenehmungen aus fünf Jahrhunderten, eds. Barbara Haider-Wilson, Maximilian Graf, Vienna: Neue Welt Verlag, 3rd ed., 2017, 555–580.

 “Ottoman legacy and Oriental Self in Serbian opera“, Studia Musicologica 57/1–2 (2016), 391–402.

 Ustanove, politika in glasba v Sloveniji in Srbiji 1945-1963 / Institucije, politika i muzika u Srbiji i Sloveniji 1945-1963 [Institutions, politics and music in Serbia and Slovenia, 1945-1963, in Serbian and Slovenian] (with Leon Stefanija), Ljubljana: Znanstvena založba Filozofske fakultete 2015

 “Mediterranean, our own: (Post-)Yugoslav pop music” (Editorial), Thema: Theatre, Music, Arts, Open Access Research Journal, 4/1–2 (2015), 1–5.

 “Memorizing battle musically. The Siege of Szigetvár (1566) as identity signifier, LiTheS, Zeitschrift für Literatur- und Thetaresozologie, 10 (2014), 5–17.

 “Discourse of heroism in the opera ‘Knez Ivo od Semberije’ (Prince Ivo of Semberia, 1910) by Isidor Bajić”, in: The National Element in Music, ed. Nikos Maliaras, Athens, 2014, 202–207.

 “Re/Constructing collective memory musically”, Mousikos Logos 1 (2014), 1–4.

 “Franjo Kuhač i zamisao o zemljovidu južnoslavenske glazbene kulture“, Arti musices, 2013/2, 237–255.

 “Building cultural memory in south-eastern Europe at the eve of modernity” (Editorial), Thema: Theatre, Music, Arts, Open Access Research Journal 2/1–2 (2013), i–iv.

 “East of the east: the orient of imperial Russia in the comic opera Fevej (1786) by Vasilij Aleksejevič Paškevič”, Thema: Theatre, Music, Arts, Open Access Research Journal 1/1 (2012), 65–82.

 “Intertextual relations between Serbian and Viennese concepts of 19th-century music periodicals”, in: Music’s Intellectual History, eds. Zdravko Blažeković and Barbara MacKenzie, New York: Repertoire international de litterature musicale, 2009, 719–742.

 “Balkan Studies and music historiography: (Self)Representation between ‘Authenticity’ and Europeanization”, Kakanien revisited, 2009, 1–8.

 “Idiosyncrasies of the grand narratives on Serbian national identity”, Kakanien Revisited, 2007, 1–5.

 "The specific nature of the activities of choral societies in a multi-ethnic context: A case study of Serbian choral societies in Banat (Pančevo and Veliki Berbitskerek) in the 19th century", New Sound, International Magazine for Music, 28 (2006), 115–130.

 “Serbian Romantic lied as intersection of the Austro-Hungarian and Serbian (con)texts”, Musicological Annual, 42/2 (2006), 99–103.

 “Serbian choral societies in the multi-ethnic Context of 19th-century Vojvodina”, Kakanien Revisited, 2006, 1–6.

 “On/In 'Orbits' by Aleksandra Vrebalov”, New Sound, International Magazine for Music, 27 (2006), 61–65.

 “Roksanda Pejović – spiritus movens of Serbian music historiography, New Sound, International Magazine for Music 26 (2005), 61–75.

 “Political, cultural, artistic activities as a case of the Ujedinjena omladina srpska (United Serbian Youth) as a case of networking”, NetzKulturWissenschaft / NetCulture Science, 2004, 1–5.