BIBLIOGRAPHY

BOOKS

Monographs

Envoicing the nation: Emerging of national opera traditions in the Balkans 2022 (in print).

Galina Ivanovna Ustvol'skaja: Komponieren als Obsession, (with Andreas Holzer). Weimar, Köln, Wien, Böhlau, 2013.

Stevan Mokranjac i srpski muzički romantizam [Stevan Mokranjac and Serbian music Romanticism]. Belgrade 2009.

Stil I: Istorijske i analiticko-teorijske koordinate stila u muzici [Historical and analytical-theoretical coordinates of style in music]. Belgrade 2009.

Transfiguracije srpskog romantizma: Muzika u kontekstu studija kulture [Transfigurations of Serbian Music Romanticism: Music in the Context of Cultural Studies]. Belgrade 2005.

The First Belgrade Choral Society: 150th Anniversary, (with Danica Petrović and Bogdan Djaković). Belgrade 2004.

Davorin Jenko (with Milica Gajić). Belgrade 1996.

Editor

“Herstory of Southeast Europe”, TheMA: Theatre, Music, Arts 9/1–2 (2022, print edition 2022). https://www.thema-journal.eu/index.php/thema/issue/view/9

“Exploring music life in the late Habsburg Monarchy and successor states”, Musicologica Austriaca, special issue, (ed. with Fritz Trümpi) (2021). http://www.musau.org/parts/neue-article-page/view/100?fbclid=IwAR1zB405Lq3oQHUrVE8IleKQJcjObmWGtpmgpCtyYsbOl31th2gjP6WzWdo

“Beethoven off-center”, Studia Musicologica, special double issue, 61/1–2 (2020, published in 2021).

“Southeast European Music, Theatre, Arts, Culture”, TheMA: Theatre, Music, Arts 8/1–2 (2019 online edition, 2021 print edition).

“Exile and emigration in music culture”, TheMA: Theatre, Music, Arts 7/1–2 (2018 online edition, 2020 print edition).

Musical cultures in sounds, words and images (with Antonio Baldassarre). Vienna: Hollitzer Verlag 2018.

“Transdisciplinarity and new theoretical genres: Cultural turns”, with guest editor Miško Šuvaković, TheMA: Theatre, Music, Arts 6/1–2 (2017 online edition, 2019 print edition).

“Mediterranean, our own: (Post-)Yugoslav pop music”, TheMA: Theatre, Music, Arts 4/1–2 (2015). http://www.thema-journal.eu/index.php/thema/article/view/42/92

Ustanove, politika in glasba v Sloveniji in Srbiji 1945-1963 / Institucije, politika i muzika u Srbiji i Sloveniji 1945-1963 [Institutions, politics and music in Serbia and Slovenia, 1945-1963, in Serbian and Slovenian] (with Leon Stefanija), Ljubljana: Znanstvena založba Filozofske fakultete 2015.

“Cultural memory building in south-eastern Europe at the eve of modernity“, TheMA: Open Access Research Journal for Theatre, Music, Arts 2/1-2 (2013). http://www.thema-journal.eu/index.php/thema/issue/view/3/showToc

(guest editor) “Re/Constructing cultural memory musically“, Mousikos Logos 1/1 (2013). http://m-logos.gr/issues/i0001

(Auto)Biography as a Musicological Discourse, Musicological Studies no. 3. Belgrade 2010.

Musical Culture and Memory, Musicological Studies no. 2. Belgrade 2008.

Music & Networking, Musicological Studies no. 1. Belgrade 2005.

Music & Media, Belgrade 2004.

Josif Marinković (1851–1931): Muzika na raskršću dva veka [Josif Marinković (1851–1931): Music on the crossroads of two centuries]. Novi Bečej 2002.

Chapters in Books

“Zwischen Orient und Okzident: Die differentia specifica des Orientalismus in der südosteuropäischer Oper”, in: Orient & Okzident. Begegnungen und Wahrenehmungen aus fünf Jahrhunderten, eds. Barbara Haider-Wilson, Maximilian Graf. Vienna: Neue Welt Verlag, 3rd ed., 2017, 555–580.

“Sehnsucht nach Liebe und Jugend: Balladen in Serbien im 19. Jahrhundert zwischen Orient und Okzident”, in: Die vokale Ballade im 19. Jahrhundert (= Publikationen des Instituts für österreichische Musikdokumentation), ed. Andrea Harrandt. Vienna: Hollitzer, 2017, 133–143.

“Mapiranje delatnosti beogradske Opere 1945–1961. u jugoslovenskom političkom i kulturnom kontekstu (Mapping activities of Belgrade Opera 1945–1961 in Yugoslav political and cultural context)”, in: Ustanove, politika in glasba v Sloveniji in Srbiji 1945-1963 / Institucije, politika i muzika u Srbiji i Sloveniji 1945-1963 [Institutions, politics and music in Serbia and Slovenia, 1945-1963, in Serbian and Slovenian] (with Leon Stefanija). Ljubljana: Znanstvena založba Filozofske fakultete 2016, 39–65.

“Choral societies and national mobilization in the Serbian (inter)national network”, in: Choral societies and nationalism in Europe, eds. Krisztina Lajosi and Andreas Stynen. Leiden and Boston: Brill 2015, 225–240.

“Muzički romantizam iz stilsko-teorijskog aspekta” [Music Romanticism from the aspect of the style theory], in: Istorija srpske muzike. Srpska muzička i evropsko muzičko nasledje [History of Serbian Music. Serbian music and European music heritage], ed. Mirjana Veselinović-Hofman. Belgrade 2007, 139–193.

“Horska muzika” [Choral music], in: Istorija srpske muzike. Srpska muzika i evropsko muzičko nasledje [History of Serbian Music. Serbian music and European music heritage], ed. Mirjana Veselinović-Hofman. Belgrade 2007, 331–356.

“Muzičko-scenska dela: komad s pevanjem; opera” [Stage music: theater play with music; Opera],in: Istorija srpske muzike. Srpska muzika i evropsko muzičko nasledje [History of Serbian Music. Serbian music and European music heritage], ed. Mirjana Veselinović-Hofman. Belgrade 2007, 441–458.

“Život i delo Stevana St. Mokranjca u svetlu njegove prepiske” [Life and Work of Stevan St. Mokranjac in the Light of his Correspondance], in: Stevan Stojanović Mokranjac: Sabrana dela 10: Život i delo., eds. Dejan Despić, Vlastimir Peričić. Belgrade and Knjaževac 1999, 205–233.

“Evropski okviri srpske istorije i kulture” [Serbian History and Culture in the European context], in: Roksanda Pejović, Srpska muzika od naseljavanja slovenskih plemena na Balkansko poluostrvo do kraja 18. veka [Serbian Music from the Settlement of the Slavic Tribes in the Balkan Penninsula to the end of the 18th Century]. Belgrade 1998, 17–30.

PAPERS (selection)

“Opera as a diplomatic gift from Italy to Montenegro (1891)”, in: Culture and diplomacy: Ambassadors as cultural actors in the Ottoman – European relations from 16th to 19th centuries, eds. Reinhard Eisendle and Suna Suner. Vienna: Hollitzer Verlag 2022.

“Contested entertainment: Discussions on operetta in Belgrade, the Kingdom of Yugoslavia”, in: Operetta med obema svetovnima vojnama / Operetta between the Two World Wars, ed. by Jernej Weiss. Koper: Založba Univerze na Primorskem; Ljubljana: Festival Ljubljana (2021), 241-254.

“Beethoven off-center: Introduction (Editorial)”, Studia Musicologica, special double issue, 61/1–2 (2020, published in 2021), 1-5.

“Staatsoper und das südöstliche Europa: Politische, soziale und kulturelle Vernetzungen”, in: Geschichte der Oper in Wien, vol. 2: Von 1869 bis zur Gegenwart, eds. Barbara Boisits, Christian Glanz, Clemens Hellsberg, Philipp Ther, Susana Zapke. Vienna: Molden Verlag 2019, 154-181.

“Transforming torment into ‘happiness’: Ironic national self-portrayal in the rap-opera ‘Zemja sreće’ (Land of happiness, 2007)”, Czech and Slovak Journal of Humanities: Special issue on Musicology 2 (2019), 84–91.

“’Croatness’ in music: Songfully Italian, solidly German, a little bit ‘oriental’ and above all Slavic”, in: Musical cultures in sounds, words and images, eds. Antonio Baldassarre and Tatjana Marković. Vienna: Hollitzer Verlag 2018, 35-57.

“Repackiging heroes: Emerging identities of (post-)Yugoslav music” (with Zdravko Blažeković and Leon Stefanija), in: Best of isaScience 2013 – 2016. An interdisciplinary collection of essays on music and arts, eds. Ursula Hemetek and Corneia Szabó-Knotik. Vienna: Hollitzer 2017, 161–182.

“Ottoman legacy and Oriental Self in Serbian opera” Studia Musicologica 57/1–2 (2016), 391–402.

“Mediterranean, our own: (Post-)Yugoslav pop music” (Editorial), Thema: Theatre, Music, Arts, Open Access Research Journal 4/1–2 (2015), 1–5.

“Narrations of a nation: Montenegrin self-representation through (re)construction of cultural memory”, in: Musicological Annual/Muzikološki zbornik 51 (2015), 139–149.

“Pannonia boundless in the network of memories: The Third String Quartet (1998) by Aleksandra Vrebalov”, in: Musik und Erinnern. Festschrift für Cornelia Szabó-Knotik, eds. Christian Glanz, Anita Mayer-Hirzberger et al. Wien: Hollitzer, 2014, 171–182.

“Memorizing battle musically. The Siege of Szigetvár (1566) as an identity signifier”, LiTheS, Zeitschrift für Literatur- und Theatersoziologie 10 (2014), 5–17.

“Musical narrative in the 19th-century opera“, in: Glasba in /za/ oder. Music and /for/ Stage, ed. Primož Kuret. Ljubljana 2014, 58–64.

“Discourse of heroism in the opera Knez Ivo od Semberije (Prince Ivo of Semberia, 1910) by Isidor Bajić”, in: The National Element in Music, ed. Nikos Maliaras. Athens 2014, 202–207. http://www.sfm.gr/images/Proceedings_total_3.pdf

“Building cultural memory in south-eastern Europe at the eve od modernity” (Editorial), TheMA, Open Access Research Journal for Theatre, Music, Arts 2/1-2 (2013), I–IV. http://www.thema-journal.eu/index.php/thema/issue/view/3/showToc

“Re/Constructing collective memory musically“ (Editorial), Mousikos Logos 1/1 (2013). http://m-logos.gr/issues/i0001

“Franjo Kuhač i zamisao o zemljovidu južnoslavenske glazbene kulture“, Arti musices 2 (2013), 237–255.

“Balkan music historiography as moving back to the ‘national roots’ and ‘authenticity’”, in: Die Rückkehr der Denkmäler. Aktuelle retrospektive Tendenzen der Musikwissenschaft, eds. Markus Grassl, Cornelia Szabó-Knotik. Wien 2013, 107–116.

“Franjo Ksaver Kuhač and mapping South Slavic musical culture”, in: Franjo Ksaver Kuhač (1834–1911). Glazbena historiografija i identitet / Musical historiography and identity, eds. Vjera Katalinić, Stanislav Tuksar. Zagreb 2013, 121–138.

“The Ottoman past in the romantic opera’s present: The Ottoman Other in Serbian, Croatian, and Montenegrin opera”, in: Ottoman intimacies, Balkan music realities, eds. Risto Pekka Pennanen, Panagiotis C. Poulos, Aspasia Theodosiou. Helsinki, Athens 2013, 71–86.

“East of the East: The Orient of imperial Russia in the comic opera Fevej (1786) by Vasilij Aleksejevič Paškevič”, Thema: Theatre, Music, Arts 1/1–2 (2012), 65-82. http://www.thema-journal.eu/index.php/thema/article/view/8/25

“Harems- und Volkstänze auf der Opernbühne als Identitätssignifikanten in Opern aus Serbien, Kroatien und Montenegro”, Österreichische Musikzeitschrift 5 (2012), 40–51.

“How much is opera inter / national?”, Muzikološki zbornik/Musicological Annual 1 (2012), 91–107.

“Nostalgia and utopia and/in music: …hold me, neighbor, in this storm… (2007) by Aleksandra Vrebalov”, in: Musik, Raum, Akkord, Bild: Festschrift zum 65. Geburtstag von Dorothea Baumann, ed. Antonio Baldassarre. Bern et. al.: Lang 2012, 443–458.

“The myth on the ’first national opera’: The cases of Serbia and Croatia”, in: Studia Musicologica. International Journal of Musicology of the Hungarian Academy of Sciences 52/1-4 (2012), 165–177.

“Music as inter/national cultural practice: Establishing Serbian music identity”, in: Music and the Construction of National Identities in the 19th Century, eds. Beat A. Föllmi, Nils Grosch, Mathieu Schneider. Baden-Baden: Bouxwiller, 2010, 195–207.

“Re/Defining the imaginary museum of national music: The case of Serbia”, Musicologica Austriaca, Jahresschrift der Österreichische Gesellschaft für Musikwissenschaft: “Musik und Identität: Beiträge zur Musikgeschichte Zentraleuropas” 28 (2009), 33–44.

Post-opera u procesu recikliranja arhetipova (The post-opera in the process of archetype recycling”, in: Glazba prijelaza. Svečani zbornik za Evu Sedak ‘ Music of transition. Essays in honour of Eva Sedak, eds. Nikša Gligo, Dalibor Davidović and Nada Bezić. Zagreb: HRT 2009, 201–208.

“Wie weit entfernt/nahe ist das Ottomanische Reich: Eine serbische Opernantwort”, in: Wie europäisch ist die Oper? Das Musiktheater als Zugang zu einer kulturellen Topographie Europas, eds. Peter Stachel, Philipp Ther. Wien: Böhlau, 2008, 209–220.

“From cultural memory to multiplying national identities”, in: Musical Culture & Memory, eds. Tatjana Marković and Vesna Mikić. Belgrade 2008, 34–41.

“Choral singing in the political, social, and cultural context of Groß-Becskerek in the 19th century”, in: Chorgesang als Medium von Interkulturalität: Formen, Kanäle, Diskurse (= Berichte des interkulturellen Forschungsprojekts "Deutsche Musikkultur im östlichen Europa 3), ed. Erik Fischer. Stuttgart: Steiner Verlag 2007, 218–229.

“Idiosincrasies of the grand narratives on Serbian national identity”, Kakanien Revisited, Wien 2007, 1-5. http://www.kakanien-revisited.at/beitr/emerg/TMarkovic1.pdf

“Music Collections as a signifier of nationl ideology: Searching for Serbian (music) identity”, in: Musik-Sammlungen – Speicher interkultureller Prozesse, ed. Erik Fischer. Stuttgart: Steiner Verlag 2007, 307–316.

“Serbian music and cultural national identity: The role of medieval myths”, Zhishan (Taipei) 6 (2007), 43–56.

“New Voices of the Balkans”, Nutida Musik 3 (2007), 6–11.

“Iconography as a Sign: The Case of Stage-Music Semiosis about Koštana”, Music in Art: International Journal for Music Iconography 1-2 (2006), 87–94.

“Serbian Romantic Lied as intersection of the Austro-Hungarian and Serbian (con)texts”, Muzikološki Zbornik/Musicological Annual: Samospev na Slovenskem in Slovenski samospev v Avstro-Ogrski monarhiji/ Lied in Slovenia and Slovenian National Lied in the Austro-Hungarian Monarchy 2 (2006), 99–103.

“Serbian Choral Societies in the Multi-ethnic Context of 19th-century Vojvodina”, Kakanien Revisited, Vienna 2006, 1-6 . http://www.kakanien-revisited.at/beitr/fallstudie/TMarkovic1.pdf

“O periodizaciji muzike devetnaestog stoleća: prednosti uvodjenja termina ’Biedermeier’ u periodizaciju srpske muzike” [About periodization of the nineteenth-century music: Advantages of introducing term ’Biedermeier’ in the periodization of Serbian music], in: Muzikološke i etnomuzikološke refleksije, eds. Dragana Jeremić-Molnar, Ivana Stamatović. Belgrade 2006, 73–87.

“Through the History of the national music historiography: Mapping history of Serbian music in the writings by Roksanda Pejović”, in: Istorija i misterija muzike u čast Roksande Pejović, eds. Ivana Perković-Radak and Dragana Stojanović-Novičić. Belgrade 2006, 43–51.

“On/In Orbits by Aleksandra Vrebalov”, New Sound, International Magazine for Music 27 (2006), 61–65.

“The specific nature of the activities of choral societies in a multi-ethnic context: A case study of Serbian choral societies in Banat (Pančevo and Veliki Bečkerek) in the 19th century”, New Sound, International Magazine for Music 28 (2006), 115–130.

“Internacionalna delatnost Josipa Slavenskog u svetlu njegove korespondencije” [International activity of Josip Slavenski in the light of his correspondence], in: Josip Slavenski i njegovo doba, Zbornik sa naucnog skupa povodom 50 godina od kompozitorove smrti, ed. Mirjana Živković. Belgrade 2005, 39–55.

“Strategies of Networking Viennese Culture”, in: Music Networking, eds. Tatjana Marković and Vesna Mikić, Belgrade 2005, 48–58.

“Roksanda Pejović: Spiritus movens of Serbian music historiografy”, New Sound, International Magazine for Music 26 (2005), 61–75.

“Operski repertoar Narodnog pozorišta u Beogradu ili Nedostatak/Gubitak differentie specifice” [The Opera repertoire of the National Theatre in Belgrade or the Lack/Loss of the differentia specifica], Teorija koja hoda/Walking Theory, časopis za teoriju izvodackih umetnosti/journal of theory of performing arts 5 (2004), 102–106.

“The medium of the music writings as an ideological model of the music discourse”, in: Music and Media, eds. Tatjana Marković and Vesna Mikić. Belgrade 2004, 24–30.

“’National Style’: The Question of the Acceptability of the Term”, in: Man and Music. To Professor Dr. Dragoslav Dević, 75 years of life and 50 years of professional acivities, ed. Dimitrije Golemović. Belgrade 2003, 338–346.

“United Serbian Youth's (Ujedinjena omladina srpska) political, cultural, artistic activities as a case of networking thorugh the structures of communication”, Kakanien revisited: NetzKulturWissenschaft/NetCulture Science, Vienna and Budapest 2003, 1-5. http://www.kakanien.ac.at/beitr/ncs/TMarkovic1.pdf

“Horsko pevaštvo kao srpska/evropska kulturna praksa” [Choral singing as a Serbian/European cultural practice], Mokranjac, časopis za kulturu 5 (2003), 4–9.

“Giacomo Puccini on the stage of the Narodno Pozorište in Belgrade”, Music in Art, International Journal for Music Iconography 1-2 (2002), 189–190.

“Homo Romanticus: teorijski portret umetnika romanticara” [Homo Romanticus_ Theoretical portrait of the Romantic artist], in: Muzika kroz misao, eds. Dragana Stojanović-Novičić and Ivana Perković. Belgrade 2002, 43–49.

"The Medium of Choir 'Voice' as a Stylistic Signifier in Konstanitn Babić's Opus", New Sound, International Magazine for Music, Belgrade, 20 (2002), 57–65.

“Poetica lirico Josifa Marinkovića” [Poetica lirico of Josif Marinković], in: Josif Marinković (1851-1931). Muzika na raskršću dva veka. Zbornik radova povodom 150. godišnjice rođenja J. Marinkovića, ed. Tatjana Marković. Novi Bečej 2002, 19–27.

“Music of the 1990s in the context of social and political change in the countries of the former Yugoslavia: Serbia and Montenegro”, Muzika 1 (2001), 49–60.

“Sto godina muzičkog školstva u Srbiji” [One hundred years of music education in Serbia], Mokranjac 1 (2000), 2–9.

“Opera, paradigm of a creator's poetics in a given style: Monteverdi's Orfeo”, in: Poststructuralist Musicology. New sound, special edition: 50 Years of the Department of musicology and ethnomusicology of the Faculty of music in Belgrade, ed. Mirjana Veselinović-Hofman. Belgrade 1998, 63–68.

“Is the term of Realism in music really justified?”, in: Folklore. Music. Work of Art. Exclusivity and Coexistance, ed. Miško Šuvaković. Belgrade 1997, 92–99.

“Poetica comico / Choral compositions by Konstantin Babić ”, New Sound, International magazine for music 10 (1997), 47–74.

“Branislav Nušić i Stanislav Binički”, in: 125 godina Narodnog pozorišta u Beogradu, ed. Stanojlo Rajičić. Belgrade 1997, 381–391.

“Collegium musicum – 25 years of working of the Academic female choir from Belgrade”, New Sound, International Magazine for Music 9 (1997), 81–90.

“The Historical Archives in Sombor: Music collection”, New Sound: International magazine for music 4-5 (1994–1995), 83–101.

“Crkvena muzika na repertoaru srpskih pevačkih društava do 1914. godine” [Church music on the repertoire of Serbian choral societies until 1914], Zbornik Matice srpske za scenske umetnosti i muziku 15 (1994), 97–112.

“Horovi Koste Manojlovića” [Choral compositions by Kosta Manojlović], in: U spomen Koste P. Manojlovića kompozitora i etnomuzikologa, ed. Vlastimir Peričić. Belgrade 1990, 283–340.

“W. A. Mozart: ‘Le nozze di Figaro’ – J. K. Novak: ‘Figaro’, uporedna studija” [W. A. Mozart: Le nozze di Figaro – J. K. Novak: Figaro, a comparative study], in: Zbornik radovi sa susreta studenata muzikologije i etnomuzikologije, ed. Vlastimir Peričić. Belgrade 1988, 68–114.

LEXICOGRAPHICAL ENTRIES (selection)

“National-classical music: Serbian”, in: Encyclopedia of Romantic Nationalism in Europe (ERNiE), ed. Joep Leerssen. Amsterdam 2017. http://romanticnationalism.net/viewer.p/21/56/object/122-160677

“Hristić, Stevan", in: Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik, vol. 9, ed. Ludwig Finscher. Kassel et al.: Bärenreiter; Stuttgart and Weimar: Metzler, 2003, cols. 422–424.

“Hristić, Zoran”, in: Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik, vol. 9, ed. Ludwig Finscher. Kassel et al.: Bärenreiter; Stuttgart and Weimar: Metzler, 2003, cols. 424–425.

“Jenko, Davorin”, in: Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik, vol. 9, ed. Ludwig Finscher. Kassel et al.: Bärenreiter; Stuttgart and Weimar: Metzler, 2003, cols. 1012–1013.

“Konjović, Petar”, in: Die Musik in Geschichte und Gegenwart, vol. 10, ed. Ludwig Finscher. Kassel et al.: Bärenreiter; Stuttgart and Weimar: Metzler, 2003, cols. 503–505.

“Kostić, Dušan”, in: Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik, vol. 10, ed. Ludwig Finscher. Kassel et al.: Bärenreiter; Stuttgart and Weimar: Metzler, 2002, cols. 554–555.

“Despić, Dejan”, in: Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik, vol. 5, ed. Ludwig Finscher. Kassel et al.: Bärenreiter; Stuttgart and Weimar: Metzler, 2001, cols. 885–887.

“Đorđević, Vladimir”, in: Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik, vol. 5, ed. Ludwig Finscher. Kassel et al.: Bärenreiter; Stuttgart and Weimar: Metzler 2001, cols. 1305–1307.

“Frajt, Jovan; Frajt, Ludmila”, Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik., vol. 6, ed. Ludwig Finscher. Kassel et al.: Bärenreiter; Stuttgart and Weimar: Metzler 2001, cols. 1553–1554.

“Bruči, Rudolf”, in: Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik, vol. 3, ed. Ludwig Finscher. Kassel et al.: Bärenreiter; Stuttgart and Weimar: Metzler, 2000, cols. 1034–1036.

“Bajić, Isidor”, in: Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik, vol. 2, ed. Ludwig Finscher. Kassel et al.: Bärenreiter; Stuttgart and Weimar: Metzler, 1999, cols. 37–38.

“Binički, Stanislav”, in: Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik, vol. 2, ed. Ludwig Finscher. Kassel et al.: Bärenreiter; Stuttgart and Weimar: Metzler, 1999, cols. 1660–1662.

MEDIA

Mozart's "Entführung aus dem Serail" and "Zaide" and their model, the Singspiel "Das Serail" by Joseph Friebert, interview for TV documentary series Sounds of Muslims: Austria, TV Kuala Lumpur, Malaysia, 15 July 2015.